Ballata Images Ballata Photos
Il Giglio Nola Italy
La Ballata Dell amore Cieco
Portatori Nola Napoli
in viaggio
la ballata dell amore cieco
A confronto Nola Napoli
Ballata irlandese
Ballata della piazzetta
and now the storm blast came
Piatti Nola Italy
Solo se conviene
Tributo a Stefano Rosso
To another serenade
Incontri dal Balcone Nola Italy
Sezione del Giglio Nola Napoli
Hyper ballada she s blonde
Giglio Nola Napoli
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Ricerche Simili:
The ballata''' (plural: '''ballate ) is an
Italian poetic and
musical form, which was in use from the late 13th to the 15th century. It has the musical structure AbbaA, with the first and last
stanzas having the same texts. It is thus most similar to the French musical '
forme fixe'
virelai (and not the
ballade as the name might otherwise suggest). The first and last "A" is called a ''ripresa'', the "b" lines are ''piedi'' (feet), while the fourth line is called a "volta". Longer ballate may be found in the form AbbaAbbaA, etc.
Unlike the virelai, the two "b" lines usually have exactly the same music and only in later ballate pick up the (formerly distinctly French) first and second (open and close) endings. The term comes from the verb ''ballare'', to
dance, and the form certainly began as dance music.
The ballata was one of the most prominent secular musical forms during the
trecento, the period often known as the Italian ''
ars nova''. Ballate are sung at the end of each day of
Boccaccio's ''
Decameron'' (only one musical setting of these poems, by
Lorenzo da Firenze, survives). Early ballate, such as those found in the
Rossi Codex are monophonic. Later, ballate are found for two or three voices. The most notable composer of ballate is
Francesco Landini, who composed in the second half of the 14th century. Other composers of ballata include
Andrea da Firenze, a contemporary of
Francesco Landini, as well as
Bartolino da Padova,
Johannes Ciconia, and
Zacara da Teramo. In the 15th century both
Arnold de Lantins and
Guillaume Dufay wrote ballate; they were among the last to do so.